Friday, February 28, 2014

Native Art and Airports


Susan Point's Whorl at YVR
With the popularity of air travel and the transient nature of flying from one destination to the other, airports are becoming destinations in and of themselves. As flight prices became affordable and technological developments enabled planes to fly further and faster during the boom of the airline industry in the postbellum 1950s, long-haul necessities such as stopovers and connections became the norm. With patrons beginning to spend more and more time in airports around the world, and many travellers being put in the position to judge cities (and even entire countries) on time spent within specific airports, these facilities began making an effort to be both practical and cultural in nature. 

Airports are responsible for providing first impressions. If you get off of a plane only to enter a drab and dirty airport belonging to a foreign and unfamiliar city, you very well may judge this new land before you have even left the building. On the other hand, a clean and well-appointed airport can reflect a city and community that is proud and eager to make a good impression. Above and beyond logistical efficiencies, cleanliness, and safety, the aesthetic qualities of an airport are among the most important factors when considering how these bastions of modern travel affect those traversing their various terminals, tunnels, and tarmacs.

Several airports in North America have stepped up and made a great effort to highlight and promote the Indigenous cultures upon whose land they have been situated. This is a positive and effective approach to design and decoration for many reasons. Artwork produced by cultures within their traditional territories can represent idiosyncratic aesthetic values and reinforce unique geographical features.

The Albuquerque International Sunport, for example, houses over one hundred permanent artworks that communicate the overarching aesthetic values of New Mexico and the primary traits of Pueblo artwork. This airport art collection is not composed entirely of Indigenous work, but an effort is made to promote Pueblo taste and artistic values. The Sunport has been greatly successful with their design approach, with USA Today ranking it as one of the top ten airports for art in the USA.

Allan Houser's Apache Crown Dancer at ABQ
Vancouver’s YVR Art Foundation was founded in 1993 and made it a priority to feature British Columbian First Nations art in the city’s main airport. Red Cedar, monumentality, and interconnectedness are elements essential to both British Columbia as a geographical region and the First Nations from this province, and most of the works in Vancouver International Airport epitomize these elements.

Referencing their promotion of Aboriginal art, the YVR Art Foundation strives “to do its part in helping these traditions flourish and to contribute to the success of a new generation of BC First Nations artists.” In addition to expressing the character of the land and the artistic values of the Indigenous cultures that inhabit it, including First Nations art in a bustling public venue such as an airport is also beneficial from a commercial standpoint.

Connie Watts' Hetux Thunderbird at YVR
The Phoenix Sky Harbour International Airport contains not only a permanent art collection, but also a museum displaying rotating exhibits and numerous shops and galleries that sell Indigenous art from the area. It is the Phoenix Airport’s mission to create a space for travelers “that promotes Arizona’s unique artistic and cultural heritage”. This promotion is not simply aesthetic, for the inclusion of retail spaces dedicated to art and jewellery produced by the Ak-Chin, Yavapai, Colorado River Tribes, and local cultures encourages visitors to support the community on an economic level as well.

From February to June of last year, the Phoenix Airport teamed up with the Heard Museum to present an exhibition of Native bolo ties. This was an ingenious idea for a show because bolo ties are one of the most popular and common jewellery items produced by Indigenous cultures in the Southwest. This temporary exhibition was an excellent way to both educate travelers about this form of jewellery and encourage them to purchase one of these beautiful and locally-made items. Furthermore, this small display was up during the Heard Museum Guild’s Indian Fair and Market, which is held in Phoenix every year and is a huge tourist attraction.

Phoenix Airport's Bolo Ties Exhibition
While it is outstanding that Albuquerque, Vancouver, and Phoenix have acknowledged and promoted the unique Indigenous cultures from their respective regions, the inclusion of Native art in public spaces, such as airports, needs to be improved. Airports are a necessity of travel, and communities that contain vibrant Native art markets should take advantage of these teeming travel hubs to elevate the output of their Indigenous inhabitants.




The Phoenix Sky Harbour International Airport contains not only a permanent art collection, but also a museum displaying rotating exhibits and numerous shops and galleries that sell Indigenous art from the area. It is the Phoenix Airport’s mission to create a space for travellers “that promotes Arizona’s unique artistic and cultural heritage”. This promotion is not simply aesthetic, for the inclusion of retail spaces dedicated to art and jewellery produced by the Ak-Chin, Yavapai, Colorado River Tribes, and local cultures encourages visitors to support the community on an economic level as well.
From February to June of last year, the Phoenix Airport teamed up with the Heard Museum to present an exhibition of Native bolo ties. This was an ingenious idea for a show because bolo ties are one of the most popular and common jewellery items produced by Indigenous cultures in the Southwest. This temporary exhibition was an excellent way to both educate travellers about this form of jewellery and encourage them to purchase one of these beautiful and locally-made items. Furthermore, this small display was up during the Heard Museum Guild’s Indian Fair and Market, which is held in Phoenix every year and is a huge tourist attraction
- See more at: http://urbannativemag.com/top-3-airports-for-indigenous-artwork/#sthash.P3WU6tAY.dpuf
The Phoenix Sky Harbour International Airport contains not only a permanent art collection, but also a museum displaying rotating exhibits and numerous shops and galleries that sell Indigenous art from the area. It is the Phoenix Airport’s mission to create a space for travellers “that promotes Arizona’s unique artistic and cultural heritage”. This promotion is not simply aesthetic, for the inclusion of retail spaces dedicated to art and jewellery produced by the Ak-Chin, Yavapai, Colorado River Tribes, and local cultures encourages visitors to support the community on an economic level as well.
From February to June of last year, the Phoenix Airport teamed up with the Heard Museum to present an exhibition of Native bolo ties. This was an ingenious idea for a show because bolo ties are one of the most popular and common jewellery items produced by Indigenous cultures in the Southwest. This temporary exhibition was an excellent way to both educate travellers about this form of jewellery and encourage them to purchase one of these beautiful and locally-made items. Furthermore, this small display was up during the Heard Museum Guild’s Indian Fair and Market, which is held in Phoenix every year and is a huge tourist attraction
- See more at: http://urbannativemag.com/top-3-airports-for-indigenous-artwork/#sthash.P3WU6tAY.dpuf
 Keywords: "Alex Dawkins", "Vancouver Airport Art", "best airport artwork"
While it is outstanding that Albuquerque, Vancouver, and Phoenix have acknowledged and promoted the unique Indigenous cultures from their respective regions, the inclusion of Native art in public spaces, such as airports, needs to be improved. Airports are a necessity of travel, and communities that contain vibrant Native art markets should take advantage of these teeming travel hubs to elevate the output of their Indigenous inhabitants. - See more at: http://urbannativemag.com/top-3-airports-for-indigenous-artwork/#sthash.P3WU6tAY.dpuf


The Phoenix Sky Harbour International Airport contains not only a permanent art collection, but also a museum displaying rotating exhibits and numerous shops and galleries that sell Indigenous art from the area. It is the Phoenix Airport’s mission to create a space for travellers “that promotes Arizona’s unique artistic and cultural heritage”. This promotion is not simply aesthetic, for the inclusion of retail spaces dedicated to art and jewellery produced by the Ak-Chin, Yavapai, Colorado River Tribes, and local cultures encourages visitors to support the community on an economic level as well.
From February to June of last year, the Phoenix Airport teamed up with the Heard Museum to present an exhibition of Native bolo ties. This was an ingenious idea for a show because bolo ties are one of the most popular and common jewellery items produced by Indigenous cultures in the Southwest. This temporary exhibition was an excellent way to both educate travellers about this form of jewellery and encourage them to purchase one of these beautiful and locally-made items. Furthermore, this small display was up during the Heard Museum Guild’s Indian Fair and Market, which is held in Phoenix every year and is a huge tourist attraction.
- See more at: http://urbannativemag.com/top-3-airports-for-indigenous-artwork/#sthash.P3WU6tAY.dpuf

Saturday, February 22, 2014

Restaurant Zoe in Seattle


My girlfriend and I hunted this warm, stylish bistro down on a recent visit to Seattle because I read about their oyster happy hour on Yelp. Everything about our experience at Restaurant Zoë was outstanding. First, we ordered sixteen Shigoku oysters, and not only were these rare deep-shelled bivalves amazing, our server also threw in two extra oysters on the house. Second, Zoë has both a great wine and beer list. I find that many restaurants tend to favour one beverage over the other, and it seems like places that serve oysters are wine biased, but Zoë has great crafts on tap too. Third, our server was amazing. He was attentive, very polite, and quick to refill our plates with Zoë's delectable complimentary focaccia when they began to look bare. We also ordered the roasted cauliflower to compliment our oysters and it was great. I want to explore the Capitol Hill area more thoroughly on my next visit, and I will be sure to drop by Zoë during my wanderings.


Keywords: "Restaurant Zoe Seattle", "oyster happy hour seattle", "Alex Dawkins"

Sunday, February 16, 2014

The Deceitful Kings Head Pub


Never. Eat. Here.

The Kings Head is a crappy pub that serves an affordable pint, but it totally lacks character since it was renovated a few years ago, and it is terribly managed. I usually blame servers and floor staff for bad service at restaurants and bars, but the completely deceitful and rude treatment that some coworkers and I received at The Kings Head last week was all on the manager.

The Kings Head recently sent out coupons to every household in Kits promoting their "Appy Hour" and offering 2-for-1 breakfasts. I was initially excited when I received this coupon because I am always on the lookout for decent breakfast spots near my place of work. I didn't know The Kings Head served breakfast, so I was eager to try it.

Despite the rank stench of stale beer, and the unenthusiastic greeting we received, and the complete lack of natural light, and the blaring televisions, and our wobbly table, we sat down and studied the limited but diverse breakfast menu. We decided to get their breakfast special, which consists of hash browns, toast, two eggs, and bacon or sausage. The food was alright, or maybe it seemed better than we thought it would be considering the setting: the toast came with jam and peanut butter, the potatoes were well seasoned and sprinkled with green onion, and the bacon was cooked perfectly. "Wow", we thought..."This is actually a really good deal with our coupon!"

The coupon was on the table the entire time, but our curt waitress brought us individual bills without mentioning a deal or discount. We pointed to the coupon and she said that the coupon did not apply to the breakfasts we ordered. We asked her to clarify and, bumbling, she said that the 2-for-1 only applies to certain breakfast items. We showed her the coupon and pointed out that there was no such disclaimer. She apologized, but we didn't let this go. This was outright false advertising. We asked her to speak to her manager because we weren't prepared to pay full price, especially after they lied to us. Our server disappeared and we could hear her request being quashed by the nearby yet hidden manager. She came back saying that we did not state we had a coupon upon entering and that no discount would be applied. We were angry, but this unbelievable outcome was not entirely the waitress' fault. This was the manager's fault.

We paid our bills, sans tip, and made it clear to her that we will never be back and will actively dissuade people from eating or drinking at The Kings Head. Using false coupons to cheat locals and alienate your most important client base...good job, Kings Head. 



Keywords: "Kings Head Vancouver", "Kitsilano pubs", "Alex Dawkins"